![]() Flashbacks of an unfaithful Don Draper returning to his fifties nuclear family at the conclusion of Mad Men’s pilot immediately spring to mind. Hayes has moved on and impregnated Kate’s best friend Sarah (Emily Barclay). The series’ clincher is that one of the undead is Hayes’s wife Kate (Emma Booth) her life claimed by breast cancer two years earlier. ![]() And then there’s that mysterious and volatile man with the sinister glare on the loose. Little do the two realise that the hundred-year-dead town mayor has gone rogue. With his partner in cadaver-hiding crime, Dr Elishia Glass, in tow, he does his best to keep the town’s undead influx under wraps. Glitch begins when Hayes (Patrick Brammell) discovers five bewildered mud-clad people wandering around a moonlit graveyard, having just clawed their way out of their graves. And it’s a shame, given Glitch’s slick treatment, stunning scenery and gothic atmosphere. Both the mortals and the corpses in Glitch can be drop-dead boring. They don’t provide me with the escape that I’m yearning for. Unfortunately for ABC’s new six-part series Glitch, Senior Constable James Hayes and the clan of undead that turn his humdrum country town upside down don’t resonate. ![]()
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